{"id":570,"date":"2017-03-07T19:10:06","date_gmt":"2017-03-07T19:10:06","guid":{"rendered":"http:\/\/newnotio.fuelthemes.net\/quasar\/portfolio\/water-for-india-2\/"},"modified":"2021-10-15T15:50:06","modified_gmt":"2021-10-15T14:50:06","slug":"standardhollywooddepravity","status":"publish","type":"portfolio","link":"https:\/\/www.adamchristopher.me\/index.php\/portfolio\/standardhollywooddepravity\/","title":{"rendered":"Standard Hollywood Depravity"},"content":{"rendered":"<section class=\"wpb-content-wrapper\">[vc_row css=&#8221;.vc_custom_1490788621627{margin-top: 80px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;]\t<div id=\"thb-image-6a237a2967c20\" class=\"caption-style1 animation bottom-to-top right   thb_image_link wp-caption \">\n\t  \t\t\t<a class=\"mfp-image\" href=\"https:\/\/www.adamchristopher.me\/wp-content\/uploads\/2017\/03\/Standard-Hollywood-Depravity-Cover-1.jpg\" target=\"\" title=\"Standard-Hollywood-Depravity-Cover\">\n\t\t\t\t\t<div class=\"thb-image-inner size_100\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"thb_image   \" src=\"https:\/\/www.adamchristopher.me\/wp-content\/uploads\/2017\/03\/Standard-Hollywood-Depravity-Cover-1-640x1024.jpg\" width=\"640\" height=\"1024\" alt=\"Standard-Hollywood-Depravity-Cover\" title=\"Standard-Hollywood-Depravity-Cover\" \/>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t[vc_empty_space][vc_separator][vc_empty_space][vc_column_text]<strong>Praise for <em>The Ray Electromatic Mysteries<\/em>:<\/strong><\/p>\n<p style=\"text-align: left;\">&#8220;Robot noir in &#8217;60s Los Angeles? You had me at &#8216;Hello'&#8221;\u00a0<strong>\u2014 John Scalzi, <em>New York Times<\/em> bestselling author<\/strong><\/p>\n<p>&#8220;Combines classic Chandlerian noir with vintage sci-fi with brilliant results: Ray the Robot, a contract killer with glimmers of half-remembered conscience, will break your heart. Truly original and deeply satisfying.&#8221; <strong>\u2014Kelly Braffet, author of\u00a0<i>Save Yourself<\/i><\/strong><\/p>\n<p>&#8220;This tale of robot noir is unlike anything I\u2019ve ever read\u2014Adam&#8217;s is a weird and wonderful voice and we are lucky to have it.<i>&#8220;<\/i><strong>\u2014 Chuck Wendig,<i>\u00a0New York Times <\/i>bestselling author\u00a0of <em>Star Wars:\u00a0Aftermath<\/em><\/strong>[\/vc_column_text][\/vc_column][vc_column fixed=&#8221;thb-fixed&#8221; width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1490809100043{padding-left: 30px !important;}&#8221;][vc_column_text]\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h2 style=\"text-align: center;\">STANDARD HOLLYWOOD DEPRAVITY<\/h2>\n<p style=\"text-align: center;\"><strong>&#8220;Effortlessly swift and clever&#8230; a spectable to behold&#8230; compelling and sympathetic.&#8221;<\/strong><em><strong><br \/>\n\u2014<\/strong><strong>NPR<\/strong><\/em><\/p>\n<p style=\"text-align: center;\"><b>A Ray Electromatic Mystery<\/b><\/p>\n<div class=\"sf-product__description\">\n<div id=\"productDescription\" class=\"sf-product__description-block\">\n<div class=\"sf-product__description-full\">\n<p>The moment Raymond Electromatic set eyes on her, he knew she was the dame marked in his optics, the woman that his boss had warned him about.<\/p>\n<p><i>Honey.<\/i><\/p>\n<p>As the band shook the hair out of their British faces, stomping and strumming, the go-go dancer\u2019s cage swung, and the events of that otherwise average night were set in motion. A shot, under the cover of darkness, a body bleeding out in a corner, and most of Los Angeles\u2019 population of hired guns hulking, sour-faced over un-drunk whiskey sours at the bar.<\/p>\n<p>But as Ray tries to track down the package he was dispatched to the club to retrieve, his own programming might be working against him, sending him down a long hall and straight into a mobster\u2019s paradise. Is Honey still the goal\u2014or was she merely bait for a bigger catch?<\/p>\n<p>Just your standard bit of Hollywood depravity, as tracked by the memory tapes of a less-than-standard robot hitman.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_empty_space height=&#8221;50px&#8221;]\t\t\t<div class=\"portfolio-attributes\r\n\t\tstyle1\t\t\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"attribute\">\r\n\t\t\t\t\t\t<h6>SERIES<\/h6>\r\n\t\t\t\t\t\t\t\t\t\t\t\tThe Ray Electromatic Mysteries (Book 3)\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t<div class=\"attribute\">\r\n\t\t\t\t\t\t<h6>PUBLISHER<\/h6>\r\n\t\t\t\t\t\t\t\t\t\t\t\tTor.com\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t<div class=\"attribute\">\r\n\t\t\t\t\t\t<h6>PUBLICATION DATE<\/h6>\r\n\t\t\t\t\t\t\t\t\t\t\t\t7 March 2017\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t<div class=\"attribute\">\r\n\t\t\t\t\t\t<h6>PURCHASE<\/h6>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/us.macmillan.com\/books\/9780765391834\" target=\"_blank\">\r\n\t\t\t\t\t\t\t\t\t\t\t\tOrder links\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t[vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row]\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1490788621627{margin-top: 80px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_empty_space][vc_separator][vc_empty_space][vc_column_text]Praise for The Ray Electromatic Mysteries: &#8220;Robot noir in &#8217;60s Los Angeles? You had me at &#8216;Hello&#8217;&#8221;\u00a0\u2014 John Scalzi, New York Times bestselling author &#8220;Combines classic Chandlerian noir with vintage sci-fi with brilliant results: Ray the Robot, a contract killer with glimmers of half-remembered conscience, will break your heart. Truly original&hellip;<\/p>\n","protected":false},"featured_media":738,"parent":0,"menu_order":0,"template":"","tags":[],"class_list":["post-570","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","project-category-novella","project-category-ray-electromatic-mysteries"],"_links":{"self":[{"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/portfolio\/570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/types\/portfolio"}],"version-history":[{"count":7,"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/portfolio\/570\/revisions"}],"predecessor-version":[{"id":952,"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/portfolio\/570\/revisions\/952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/media\/738"}],"wp:attachment":[{"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/media?parent=570"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adamchristopher.me\/index.php\/wp-json\/wp\/v2\/tags?post=570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}